Dates
https://www.mominleggings.com/b815rm4 02 Feb 2024 - 02 Feb 2024
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https://elisabethbell.com/w9ndhxpm 3/4/5
https://www.mominleggings.com/8ry61wyAuthor
https://www.lcclub.co.uk/83kbutmc7g Rae Webb
Venue
https://worthcompare.com/sis47jg4 Bedlam Theatre
https://musiciselementary.com/2024/03/07/j7cbulbbgCast and Crew
- Actor (Maeve)
- Karis Halpin
- Actor (Rosie)
- Juliet Gray
- Co-Director
- Andrew More
- Director
- Rae Webb
- Producer
- Edie Christian
- Stage Manager
- Ching Zhan
- Tech Manager
- Chloe-Anne Stevenson
Reviews
https://ncmm.org/k7ofvuky6u ‘Lights Out’ took to Bedlam’s stage last Friday night to portray a witty, yet painfully authentic conversation between sisters, shadowed by the foggy presence of untreated childhood wounds.
https://elisabethbell.com/xukjtup6w4Cheapest Place To Order Tramadol Online The cast of two brought life to a clever script, filled with the all-too-familiar petty discourse and tense silences of a distanced sibling relationship that isn’t as it once was. Audiences were greeted with a stage littered with moving boxes amidst a standalone armchair, the sisters alternately sitting on either to mirror their ever-switching levels of openness and maturity throughout the exchange. A few missed beats and line delays did not stop the production from thoroughly entertaining its audience. From comedic clashes over fruit salad and mission impossible vs mean girls, to confronting vs ignoring darker elements of their shared past, bedlam was filled with laughter and silence as the narrative unfolded.
https://ncmm.org/9lwtbya3As the play progressed the two sisters sat on the floor together, levelling with theatregoers and enveloping the audience in their awkward discussions of each other’s increasingly alien personal lives. The people behind ‘Lights Out’ transformed Bedlam into a half-unpacked flat, filled with intimate conversation that the audience themselves seemed part of. Writer and director Rae Webb created a script that skilfully expanded a light-hearted and funny everyday conversation to an emotion-packed confrontation of shared and repressed past trauma and how reactions shape the moral perception of an event. Both actors talentedly portrayed a strained and polarised sisterly bond, a highlight being the deeply emotionally illustrative voice work whilst the charged ‘lights out’ moment took hold of the stage.
https://wasmorg.com/2024/03/07/pajxkeens8https://www.worldhumorawards.org/uncategorized/941qybs3 Each creative decision behind Bedfest’s ‘Lights Out’ felt meaningful, urging onlookers to re-examine their own familial relationships and head into the future with enough hope and strength to confront the past (or let it rest).
Gallery
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